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She survived the war, but was forced to flee Communist Berlin on the night of her planned stage debut, plunging into the River Spree which flows through the city in a bid to escape East German authorities.

Following is an alphabetical listing of prominent authors who regularly appear/appeared in the newsgroups mentioned above along with a brief description of their stories. A Child's Christmas CEL-247: 10-10-10, CRIM-6: [10,10,10,10] (RP) (24k) A Good Fit (2k) [flash fest] A Real Gripper (3k) A Well-Oiled Machine (2k) [flash fest] A Word for Annie's Fuck Hole (RP) 9K CRIM-4: [10,10,10,10]; 10-8-8 *Cel-135 After Hours at the Exhibition (2k) [flash fest] Art (3k) [flash fest] BAND-AIDS (6k) Basic Training (1k) Bed and Breakfast (20k) CEL-307: 10-9-9, Bees 10-10-10 *Cel-191; #19 on Celeste's Top 100 of 97 Bird Watching in French Lick (41k) 10-8-8 *Cel-69, CRIM-4: [10,10,10,10], Breakfast in Bed (5k) (220 words) Calendar (15k) with Lorrin Murray (8k) (11k) Cat Got Your Tongue?

It would be the labour of a lifetime to acknowledge each and every contributor to the groups. If your favourite author was omitted, it might not have been intentional. (3k) [flash fest] Cheerios and Milk (4k) [Wedding] Close-Up Cum on Cunt Pix Contest (5k) [flash fest] Cloth Doll (10k) CEL-297: 10-10-10, Covers (MF Rom Cons) Dandelions 9-7-7 *Cel-76 Desert Rain 10-7-6 *Cel-65 Drive 10-9-10 *Cel-66, Ellen's Slutty Sister (4k) Extra Ohs (2k) [flash fest] Fantasy Train CRIM-10: [10,10,10,10] Farm Earth Nick: CEL-341: 10-9-9 Fog CEL-328: 10-9-9 Games Galore (3k) [flash fest] Christmas Break 10-10-10 *Cel-151, #89 on Celeste's Top 100 of 97 (10k) Christmas Eve (4k) Christmas Pie (5k) Impetuous (11k) CEL-337: 10-9.5-9.5,, CRIM-3: [10,10,10,10] In a Quiet Corner of the Galley Waiting for the Coffee to Perk CEL-255: 10-10-10 In the Interests of Science (2k) [flash fest] Incest *Cel-168: 10-10-8 Jack and Jill (2k) [flash fest] Jack and Jill Study the FAQ--!

Meanwhile, Bergman has just been announced as the face of this year’s official Cannes poster. Selznick, who first spotted what made Bergman so special – and the quality about her that later enraptured directors from Alfred Hitchcock to Rossellini.

Selznick had lured her over to Hollywood to star in the 1939 English-language remake of her Swedish success Intermezzo (1936). She wasn’t interested in having a Greta Garbo-like Hollywood makeover that would give her a new glamour; she was ready to head back home to Sweden rather than allow the studio bosses to mould her image.

She was beautiful but didn’t appear interested in her own looks.

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